Finding a movement/fitness practice is hard for all. It is especially more difficult for those suffering from an injury or neurological disease. Traditional exercise does not always address how to create a fitness practice when the body is not well. How the mind influences the body can determine better function for most.
Traditional exercise has an emphasis on the loading of muscles, repetitions and sweat. This is important in the end result of good healthy fitness. The process for finding fitness should be different when the body is not well.
A lot of classes and fitness are too fast and/or too much exertion for the person who does not feel well. Sometimes the body will go to the muscles that are already overworked when the load/exertion is too much. For instance, abdominal and bridging exercises are important in back care. Many complain of back pain in these kinds of exercises. What is happening here?
The brain is giving the wrong feedback to the body.
Instead of initiating the movement from the abdominals in the crunch,
the brain goes to the back muscles to start the work. How do you make change?
You retrain how the mind thinks about movement. This is a practice in itself. These techniques are used by athletes, dancers and gymnasts.
Essential tools are:
Breath Imagery
Better understanding of functional anatomy
Cueing
Mental rehearsals
Relaxation techniques
We are going to look at how to train the abdominals and the legs using new tools. Breath is your road to deeper concentration, relaxation and core support. For further in depth practice see my podcast on breath. One can also used breath as imagery to assist in change. When you blow up a balloon, it swells up into a moldable shape. When you allow a balloon to let out the air out, the balloon releases back to its original shape.
Focus your breath to an area of tightness in your body.
Imagine the breath expanding that area like a balloon with the inhale.
As that area expands, feel how the muscles lengthen, widen and release.
On the exhale, imagine the muscles falling softer towards the ground.
Breath can be a great tool when the body is fatigued or in pain.
Let’s say you are in a class and you have reached a place of fatigued.
Instead of leaving class, go back as the class workout to the breath. Only join back into the class when you feel well.
ANATOMICAL IMAGERY
Understanding how the body works can really help one find new connections and a preventive measure from re-injury. We are going to look at the Bartenieff Fundamental, the thigh lift. This is a underlying concept how the thighbone moves in the hip socket. It is essential for a movements of the legs such as walking and level changes such as getting up from a chair.
When someone comes in with a back injury,
I look at how they do a thigh lift.
When the thighbone is not gliding well in the hip socket,
the pelvis will unleveled to lift the leg.
This repetitive motion can lead to more discomfort in the back, hips and legs.
Here(see above podcast) is the thighbone placed into the hip socket. Notice how it is a deep round socket for the head of the femur bone. When the leg is lifted, there is an opposition of movement of the two distal points of the femur bone; one where the knee is and the other, the femur head in the hip socket. In the thigh lift, the head of the femur will glide in the opposite direction of the knee. The higher the knee is lifted, the head of the femur will roll and glide lower in the socket towards the sitz bones.
Image the bone gliding down in the hip socket as you do the thigh lift.
Feel how the back lengthens with the bone gliding well in the hip socket.
When you understand how the body is designed, you will have better movement. As Eric Franklin says “Embodied anatomy improves function”. When the thigh lift is done correctly, the correct muscles will be invited to work. The Bartenieff Fundamental, the thigh lift is the underlying concept in all abdominal work and movements of the legs.
(See my podcast on Pilates Basics: Enhancing the core)
Mental Rehearsal
This is a technique used by musicians, dancers and athletes. You review the movement in your head like it is a film. You image the movement with complete success, expression and enjoyment. We are going to look at the Bartenieff Fundamental, the pelvic shift forward. This can be a great exercise to get the legs stronger and stabilized the spine. Sometimes when the legs are weak, the back wants to overcompensate. This can be painful for many.
Visualize yourself doing a pelvic shift forward.
Press down on your feet feeling equal pressure on the inside and outside lane of the feet.
Feel the hamstrings engaged against your thighbone
Using your leg muscles rise the pelvis forward towards your feet.
Your relaxed spine rises up in one piece.
Your back is relaxed and the legs are doing the work
Imagine your legs are like an elevator that carries the load of the spine up and down.
Slowly descend your spine down with your spine in neutral. Your spine should come down in one piece.
Practice this a few times and then try to do a real Pelvic technique.
Mental rehearsal is great to use when you are fatigued or in pain. Research has shown through biofeedback that muscles are charged even with mental rehearsal.
Relaxation techniques
Sometimes to get to the correct muscles usage, one needs to release the overcompensating muscles. Stretching can be positive for some; for others over-stretching can put a muscle in spasm. Constructive rest position is a practice of lying on your back to release unnecessary tension in your body.
Lie on your back
Have your legs bent with your feet on the floor or on a stool/chair. A belt can help keep the legs together. This can help diminish tension.
Observe how your spine feels on the floor.
What areas of the spine lay well on the floor?
How is tension in your body affects how you lie on the floor?
Use breath and image of the balloon to create new releases in your spine.
Special pilates group sessions Movements Afoot would love to set up special classes for special needs. We would love to bring pilates movement to people who would love a Pilates class designed at the pace and needs of their present health. Please give us a call if you and your organization would like to set this up.
Possible Special Pilates classes:
MS
Arthritis
Back care
Fibromylia
Chronic fatigue
Parkinson’s
Other resources Somatic/body therapies:
Alexander technique
Bartenieff Fundamentals
BodyMind centering
Feldendrais
Franklin Method
Hanna Somatics
Pilates
Restorative yoga
For further information about constructive rest:
Andre Bernard
Eric Franklin
Restorative yoga
Another great book about release techniques Paul Escosque Pain-Free
Here’s my client question: 43 year old former dancer (ballet) and gymnast Runner in her late 20’s until recently when she has been sidetracked by hip bursitis. She spoke with her Doctor and Physical Therapist before starting with me. They said that she can do any type of movement provided it doesn’t cause her pain.They would prefer we don’t do extreme hip rotation.
In my visual assessment, I caught right away that she is bow-legged with hyper-extended knees and her parallel stance is not strong as she prefers turn out. Today, was our first session and we spent a lot of time on the Tower with Roll Down, Push Thru Seated Front and Circle Saw as I wanted to see core strength, rotation ability/mobility and articulation. When I got to Footwork (Bend & Stretch) I found a pattern that surprised me. I expected her to pattern her movement like I used to since I began with bow legs and hyper extended knees. But, instead of her knees splaying out, they come in and almost knock when she corrects her feet to parallel. So, we moved to Reformer Footwork and it was the same, when she pushes the carriage away, if I apply gentle pressure to her heels to “swing” them parallel, her knees “knock” inward. I put the Franklin ball between her knees to keep them apart (when, in my case, I use the ball to keep my knees more together). We then moved to bridging where I discovered the lack of hamstring strength. I focused on the hamstring connection for a while, did some pulling straps/swan and finished with mermaid. Can you offer me any suggestions? Am I on the right path? I do feel that we need to get her hamstrings stronger but will this help with the knock knee/footwork issue? Should I use something bigger than a ball, like maybe a yoga block between her knees?
Or between her ankles? H-E-L-P!! As always, thanks for you insight! Cheri
by Lesley Powell
How a client organizes in a static position can be different when moving. Watch how she organizes her body to stand on one leg. As she stands on one leg, look at the bone rhythms of the legs.
Does the foot remain stable, supinated or pronated?
Does the shins rotate inward or outward?
Does the femur rotate inward or outward?
What happens to the pelvis and spine?
She might have been doing some compensation patterns in standing to appear not knocked knee. Your working with her on creating balance in the legs is great. Be careful about pushing parallel if she can not maintain it on her own. She has been working on this pattern for awhile.
Sometimes with knocked knees, putting a block/ball between the femurs can be a poor cue. They should not be squeezing the block hard. It might be better to use a theraband tied around their thighs. The tightness of the theraband should be enough to get them to parallel not beyond.
Strengthening the abductors/rotators is important. Since her PT’s do not want her to do extreme range, keep the movements small.
Rotators – lie on the side with knees bent. Only lift knee a inch off the other leg. Or with theraband tied around thighs tightly lying on the back. Move one knee again in tiny range of motion.
Abductors – range of motion on side should not be higher than her hip
Standing – Can she stand on one leg without letting the knee knocking in?
Working on balance of all the leg muscles is important. Since she is not allowed to do range of motion, I would also teach some release techniques for lateral rotators, abductors and adductors, and feet as well.
“Have any of you worked with anyone who has had a proximal big toe joint fused due to arthritis? Any experience? opinions? I would imagine it would be an issue for gait – she limps a bit now.
My friend’s surgeon is recommending this since acupuncture and physical therapy haven’t worked. He said there could be a bit of a limp… She’s not a client of mine – i’ve worked with her a few times and she experiences temporary relief but doesn’t do any management herself so she’s looking for a permanent fix…” Pilates Teacher
When a client has arthritis/bunion at the big toe, the joint no longer flexes. It is painful to flex at this joint. So they will have to change their gait to adapt to this. Most probably they will have to turn out at the foot. This allows the foot to come easier through when walking.
With one of my client with a bunion, her walk was more of a shuffle. Because of the inability to push through the foot, this is one way the client develops less hamstring and gluteal strength. The hamstrings and gluteals are also necessary for standing on one leg. She never got well on her legs which is called “midstance” in gait.
Since the client is not doing a proper pelvic shift over the standing leg, they will shuffle or limp. I worked a lot on teaching the client to do a better thigh lift
to transfer the leg from back to front. This will mean still training the legs especially psoas, quadripceps, hamstrings and gluteals. Training the feet is still essential for grounding forces and alignment of the standing leg.
Psoas: thigh lifts, single leg stretch, double leg stretch, reverse kneeling abdominals on reformer, leg springs/straps to train psoas (lie opposite direction than usual training)
Quadriceps: footwork on reformer and wunda chair, sitting on physioball- bouncing, single leg lifts, squats
Hamstrings & gluteals: leg springs/straps. Bridging especially in neutral, Pilates shoulder bridge with one leg lift, standing using wunda chair, Pilates Upright
Other great exercises: single leg kick, double leg kick, quadriped with opposite leg and arm, quadriped with flexing knee in with flexed back and extending leg and back, swan
Feet: small releves to their comfort zone, footwork with toes curled over foot bar, theraband to strengthen plantar flexion (pointing foot at metatarsal joint and full foot plantar flexion, ankle circles
Between my career as a dancer, health reasons and menopause, my psoas has tighten up a lot. I have been doing a lot of work with constructive rest, exercises from Painfree by Paul Escoque and visualization while I move about my Iliospsoas. Another great resource about the psoas is The Psoas Book by Liz Koch and Pelvic Power by Eric Franklin.
I have come to realized that I am tightening my psoas while I am exercising. This is not functional, but a bad habit. I try to visualize the length of my psoas from the attachment to the lesser trocanter to the front of the lower thoracic spine. I work with imagery to feel the space of the illacus to soften and shape to the back of the pelvis. As I am able to connect to a new length and space of the iliospsoas, it is like a reflex for me that the abdominals hollow deeper.
Experiment with finding ways to release the psoas. Sometimes stretching it, tightens the psoas for me. Even training the psoas properly can get me to release the muscles better.
There has been controversy about warm-ups. Some say warm-ups are not necessary and not injury preventive. I think that it depends on what the warm-up is for. What do you want to warm-up?
A lot of dancers make the mistake of stretching their hamstrings as their warm-up. Over-stretching a muscle can release it and kick the function needed for moving.
For me, a warm-up is getting the joints and the muscles moving in preparation for larger and more demanding movement and/or workout. Especially as I have gotten older, I feel stiff. Moving my spine gently in different planes is my first goal. A Warmup should increase muscles and body temperature as well as blood supply.
My warm-up is simple, not advanced movement. It could include:
Cat & Camel
Side bending
Rotation
Then there is improvement of mobilization of the joints:
Hip joints
Shoulders & neck
Ankles & feet.
It is also a time of developing concentration and bringing back the mind-body connection. The warm-up prepares me to clearing my mind, increasing focus through imagery. For me, since I have some problems with knees and SI, bringing back better function is key. This is also a time of bringing in specific exercises for your movment love to improve function. It can also be a rehearsal of an activity.
“I have a training question for you. I have a client that has come to me with SI Joint problem. She is seeing a doctor who wants her to get an injection to diagnose it and at this point doesn’t know of any underlying cause for it.
I want to know what movements and exercises will be best for her. Should I work to strengthen the muscles around the SI joint? Also she is a fitness instructor who is pretty flexible & mobile in her joints. Is there anything I can do to bring some sort of stability to her ligaments/joints etc?” BBU Student
I have SI Dysfunction. I primarily got it from my dancing. Especially dancers and gymnasts are prone to this because of movements of extreme range such as splits, arabesques and attitudes can stretch the ligaments of the sacrum.
Lumbopelvic stability is essential and relieving for this condition. I have to work on this all the time. Pre-Pilates, BBU movement principles and/or Bartenieff Fundamentals(tm) are great to address this.
Pelvic clock. Observe in 6-12 how both sides of the pelvis/sacrum is sequencing evenly on the floor. Sometimes the pelvis is rotated. The pelvic clock can educate your preferences of movement of the pelvis. Put attention to the sides not grounding as well.
Pelvic floor, transverse abdominal & multifidus training Thigh lift/toe taps/marching Look how they lift their legs. Many people are not gliding the thigh bone in the hip socket well. This will give the appearance of hip hiking or tightening around the femoral fold.
Foam roll training is great for this.
It also addresses the stability of the legs. Other ideas on foam rolls
Bridging- getting the legs to do the work. Observe if the hips rise at the same time.
neutral bridging-pelvic shift forward
pelvic shift lateral-typewriter, figure 8’s, bridging with thigh lift
Sometimes mobility exercises such as full short spine are not great for my sacrum.
Observe how they do foot work and standing. Is their weight on the outside of the foot. Training of the medial lines of the legs are also helpful.
Ohhh the scapula comin around the ribcage.
Ohhh the scapula comin around the ribcage.
Ohhh the scapula comin around the ribcage.
Hee Haw
Freeing the Shoulders to Connect to the Core , an article in Pilates Pro, I go over how the bones of the shoulder girdle move. I always in my lesson plans with clients, am teaching them about their bodies.
“Embodied Anatomy improves function” Eric Franklin
One of the first things that I teach is how the scapula glides. When the scapula moves properly, you will solve many problems why the shoulders are up and tense. You will also improve the connection to the anterior serratus.
The movement
Begin to raise your left elbow to the ceiling, feel the shoulder blade gliding wider on the ribcage. Gradually rotate the humerus bone outward so the entire left arm bent is now facing the wall in front of you. Reach the left elbow to the ceiling to help abduct the scapula more.
Glide the scapula in more upper rotation and gently increase the outer rotation of the humerus bone to bring the left elbow over your head. The arm stays in the same plane as the scapula and gradually rotates more outward. For most, this will bring your elbow in front of your ears. (To get the elbow in line with the torso, one has to improve the mobility and the mechanics of the scapula).
As if you were running the film backwards, return the arm back to your hip paying attention to the gradual rotation of the arm and the scapula. When the arm returns to the hip, the arm is slightly inwardly rotated.
Repeat 4 more times
Reverse to the other side and other arm
Now try a full arm circle. Can you initiate the movement from the shoulder blade? If you have a partner, let the partner place their hand on the shoulder blade to assist in its gliding. Do not worry about depressing down right now. See if you can get the tip of your scapula to make a small circle around your ribcage. As the scapula follows the curves of the ribcage, many of the problems of the shoulders can be solved.
Lesley: When I was working at Dr. Bachrach’s Center of Sports Medicine, one of the client with a back injury came to work with me. He asked how long would it take to get back to playing tennis. I didn’t answer, I just started doing the Bartenieff Fundamentals with him, particularly the knee drop, diagonals and arm circles. This client had very little rotational ability in his body. When a person is unable to move well in one plane, they will often overuse the other planes. It was clear how he misused “his body in space” had led to his back injury. His rotation improved immensely as well as total body mobility.
The rotary factor is an important in all of our movement. To rotate is to be human. First look at the human body. There is not one bone without some kind of curve and/or spiral. The pull of the muscles on the bones must follow along the lines of the bones. Rotation is underlying in all of our movement. The movements of the bones are usually rolling, gliding and rotating. Rotation has enabled us our mobility and strength. It is rotation that enables us to make level changes and move through space. The simple action of getting out of bed requires internal and external rotation of the thighbones and the pelvis rotating on the femur heads. Observe a baby lying on the floor and its transitions from the floor to sit, crawl and eventually stand up. You will see gradated rotation of the thighbones and the pelvis to accomplish these tasks.
Martha: I am glad that you talked about babies Lesley. We all begin as babies and babies usually begin their movement workout on the floor. On the floor we can spread out, relax, and see the world. Judith Kestenberg – child psychiatrist and movement expert noted that children gain movement repetoire first on the floor and during this time they gain spinal flexibility and perceptual flexibility.
As we go grow older, the LMA systems believe, that this flexibility transfers to the ability to explore options. In our BodyMind Fitness approach we encourage clients who have lost their capacity to twist and spiral physically to find the horizontal plane again AND to re-engage in exploring options within their environment and attitudes. Our approach to rotation has nuances as well. We use phyiscal therapist Irmgard Bartenieff’s brilliant concept of gradated rotation to activate muscle chains in a sequential fashion. This awareness gives equal power to all of the joints along the pathway (from vertabra to vertebra or from finger tip to elbow). By equalizing forces we balance muscles and realign joints. Then we ask clients to note what feels different and how this new way of movement may bring out a new attitude or choice, or not. Options are always options. To quote Bartenieff – “there are always multiple possibilities.” In our fast paced forward moving world the pressures of life sometimes block out our sense of options.
At CKE our motto is “relax, feel, move, take action.” In our BodyMind Fitness work we often also take the somatic approach to finding rotation by getting down on the floor. On the floor we take time to breathe, widen, release, spread out – letting go of the intensity of gravity. Then we activate core and distal muscles with awareness of our movement through space. Instead of just crunches we provide movement options in many different directions. Rotation is just part of the picture but one that is often missing. Our3D Fitness series puts all the pieces of the puzzle together. Join us on April 12 or send a friend at Movements Afoot
Go to online scheduling and workshops to sign up!!
I have a possble client with a severe lumbar lordosis. Is there specific movements to try on her to correct/help/improve? Any certain ones to really avoid? I have a few ideas but I would love your input.
BBU Student
by Lesley Powell
When a client comes in with certain misalignments, I first observe throughout the lesson how the client organizes movements, what is tight and what is weak. Each client arrives in a certain posture for different reasons: some are structural, habitual, an injury, history of fitness and cultural.
I always go to the basics first, core support, observing what is mobilizing and stabilizing. Their patterns of posture will reflect in all the exercises even simple ones like cat & camel, bridging, basic abdominal training and back extensors training. Part of making change in a client is making them aware of their habits.
How do they lie on their backs? Is the tension of their backs hyperextending their ribs? If I have them stretch the back muscles, does that help? Sometimes just saying “let your back go” can make a change. We all have patterns how we all hold tension. Learning to relax is key. Breath is a great way to help relieve tension.
I always look how they use their legs. When the legs are weak, the back has to carry the load. When they are doing bridging, footwork, etc., what is initiating first; the legs or the back? For instance, observe how they do a neutral bridge. Are they arching their backs to get the pelvis up? Get them to initiate through the legs. Make the movement small until they understand to push from the legs.
Sometimes they are so used to lifting their legs from their backs, they feel pain. Work in small ranges of motion until they can move painfree. Lying prone and lifting their legs, they always feel pain. Take the exercise to a different position and see if they can initiate from the correct place. For example, bridging, Pilates footwork and leg straps or modified side leg kicks. How is their form? Can they differentiate the leg from a stabilized pelvis?
Remember to have patience. A posture is created from years of habits. Keep observing, problem solving and making sure the movement principles are within each exercise. If a client is always in pain, make sure that they see a medical professional to rule out serious problems like disk herniations.
“I do have a question – on the KNEE STRETCH & KNEELING ABDOMINAL SERIES – why would you choose the rounded back vs the flat back — would it be for body type, body issues, difficult/easier, different focus? Could you explain.” Kris
For a healthy body, training the abdominals with the spine in many positions of neutral, flexion, extension, lateral flexion and rotation is very important. The core muscles coordinate differently for each position. Training core muscles for dynamic movement is essential. This kind of training supports the physicality for good posture and necessary for our movement loves. This will also teach clients how to use their spines without unhealthy compression. A healthy spine should be able to move through all planes: flexion-extension, lateral flexion and rotation.
Knee stretch is the preparation for Advanced Knee Stretch, plank pose, downward dog, Long stretch and Up stretch. It teaches the client the coordination of the all the limbs with the core.
Advanced Knee Stretch
Certain health conditions require modifications. With osteoporosis of the spine and disk problems, knee stretch in flexion is contraindicated. With Stenosis and spondylolisthesis (go to BBU’s Movement principles – info about neutral spine), knee stretch in flexion is a great exercise. As with Stenosis and spondylolisthesis, you might have the client perform a neutral spine with a imprinted spine or supported neutral.